He began taking pictures of himself with film and Polaroid cameras after being inspired by a scene in the 1995 film Smoke, in which a character named Auggie shows off his photo album of images–all of the same Brooklyn street corner.
To further this goal, each photo has been manually tagged with the people and objects that appear in Noah's life.
These traits offer a new way to explore the Everyday project and the way that time changes our environment, our relationships, and ourselves.